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Extra info for Bruce Lee. Game of Death
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Once again, Trevelyan appears to have been torn between, on the one hand, appreciating the film-maker’s skills, and, on the other, detesting the reactions which those skills provoked. Had the film been less well made, or less obviously aimed at a popular audience, the Board might well have been more lenient. Instead, they exacted more (and more damaging) cuts upon Witchfinder General than were usually inflicted on far less significant fare, with the result that a plainly heartbroken Reeves simply withdrew from the re-editing process and refused to co-operate with the massacring of his work.
It is thus expected that the year 2004 may be a significant watershed for those outstanding ‘nasties’ which are still snipped to comply with the The British censors and horror cinema 21 law, but since it apparently only takes one moral panic per decade to take us all back to square one again, any optimism may well prove short lived. When James Ferman retired from the BBFC in 1998, after a steady stream of press stories (allegedly inspired by hostile Home Office briefings) peddling the line that he had presided over an unacceptable degree of liberalization of the Board’s standards, he was replaced by Robin Duval, formerly of the Independent Television Commission.
Much to be preferred, according to Richard Winnington in the News Chronicle are ‘discretion, discrimination and taste’ which flow from ‘our native instinct for understatement’. Similarly Elspeth Grant in the Daily Sketch praises films which speak with a ‘simplicity which is most satisfying and in all [their] admirable restraint [they are] far more moving than any picture deliberately designed as a tear-jerker’. Finally, the job of the critic was seen as a firmly didactic, not to say nannyish, one.