Video Shooter, Second Edition: Storytelling with HD Cameras by Barry Braverman

By Barry Braverman

It is not sufficient simply to be technically efficient together with your video cam or even together with your variation software program. you must understand the fundamentals of filmmaking to inform your tale no matter if you're in the back of the studio's motion picture digital camera or preserving your FlipVideo.

Barry Braverman grants the fundamentals of filmmaking during this booklet geared to amateurs. all of the "geeky" info are the following, and this publication can provide a better appreciate for the craft should you see what number technical features are concerned with developing whatever that tells your tale successfully and fantastically.

Everything out of your digital camera to lights, audio, publicity regulate, body price, microphones, gear, composition and framing, colour correction and stability and lots more and plenty extra. there's a bankruptcy on DVD burning (something i have had concerns with while making my very own) so while you are generating movies internally at your enterprise for education or different reasons, this is often particularly invaluable.

This is a truly available technical guide which may solution the query "Why did not i am getting the video I observed in my head?" clearly, you will not be capable to digest this whole publication at one sitting or maybe ten sittings. bit by bit, taking this one subject at a time, you actually might be educating your self video making method. wanting taking a workshop or direction in filmmaking, this publication provides a massive volume of technical information that might enhance your video clips from fuzzy, jittery domestic videos to professional-looking productions that may make you proud as an artist. A needs to for someone remotely fascinated with their videocam. a tremendous source.

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Video Shooter, Second Edition: Storytelling with HD Cameras

It isn't sufficient simply to be technically powerfuble along with your video cam or even along with your variation software program. you must recognize the fundamentals of filmmaking to inform your tale no matter if you're in the back of the studio's motion picture digicam or retaining your FlipVideo.

Barry Braverman delivers the fundamentals of filmmaking during this ebook geared to amateurs. the entire "geeky" information are the following, and this ebook provides a better admire for the craft if you happen to see what number technical elements are concerned with developing whatever that tells your tale successfully and fantastically.

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Additional info for Video Shooter, Second Edition: Storytelling with HD Cameras

Sample text

Any shooter worth his lens cap understands that close-ups do most of the heavy lifting in video storytelling. That close-ups play such a key role should not be surprising as television owing to its traditional small screen is by nature a medium of close-ups. With the Web and computer screens becoming a principal display environment for much of our work, the fundamentals haven’t changed; the smart shooter knows that effective video stories still rely principally on closeups to properly focus and engage the viewer.

45 46 Video Shooter: Storytelling with HD Cameras YOU SHOOT, THEREFORE YOU ARE Don’t read this section if you are the self-absorbed type who believes that shooting is all about you. You relish your fanciful gyrations, dips, and swoons to call attention to your genius. In fact, you couldn’t give a rip about the appropriateness of your shenanigans – the inverted camera, pointless zooms, and weird framings – you just want a vehicle to show off your talents as an artiste. Look, it’s the same reason you don’t pay your parking tickets, put money in the toll machine on the Dallas Tollway, or treat people you don’t need very well.

They certainly are! Illogical lighting, poor framing, and unmotivated camera gyrations all take their toll – the audience feeling every technical and craft-related fault you throw at it. The issue is whether these glitches in total are enough to propel the viewer out of the story. 3 Illogical lighting and technical flaws can undermine your storytelling. Sometimes, while sitting in the endless snarl of Los Angeles’ 405 freeway, I ponder the true nature of the world: Is this an analog mess we live in or a digital one?

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