The A to Z of German Cinema by Robert C. Reimer, Carol J. Reimer

By Robert C. Reimer, Carol J. Reimer

German movie is diversified and multi-faceted; its background contains 5 detailed German governments (Wilhelmine Germany, the Weimar Republic, the 3rd Reich, the Federal Republic of Germany, and the German Democratic Republic), nationwide industries (Germany and Austria), and a myriad of kinds and creation equipment. sarcastically, the political disruptions that experience produced those targeted movie eras, in addition to the common inclination of artists to insurgent and create new types, let for the development of a story of German movie. whereas the disjuncture generates special issues of separation, it additionally highlights continuities among the ruptures.

Outlining the richness of German movie, The A to Z of German Cinema covers mainstream, replacement, and experimental movie from 1895 to the current via a chronology, introductory essay, appendix of the a hundred most important German motion pictures, a bibliography, and hundreds and hundreds of cross-referenced dictionary entries on directors,...

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Between 1951 and 1953, 93 films were supported. 6 June: The German Film Prize for excellence in various aspects of filmmaking was awarded for the first time. Das doppelte Löttchen (Two Times Lotte), directed by Josef von Báky, won as best film. 6–18 June: An International Film Festival took place in Berlin. The Berlin Film festival would become an annual event and rival the festivals in Venice and Cannes in importance. 1952 17–18 September: Participants at a film conference in East Germany, in keeping with the tenets of socialist realism, discussed the need for making their films optimistic and oriented to the future.

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