Singing like Callas and Caruso: Belcanto Voice and Body by Dr. Karin Wettig

By Dr. Karin Wettig

"Singing like Callas and Caruso – Belcanto Voice & physique education" isn't an educational code for Opera singers, no matter if it introduces you into all secrets and techniques of your actual voice. Dr. Karin Wettig began as a pilgrim to the Rome of Singers after her divorce: now not her middle, yet her voice broke. The irony of destiny despatched her to a radio station to develop into a speaker. no matter what she attempted together with her voice, not anything rather labored. rather than taking the street, she felt like creeping on her knees to Rome, the place she arrived as a mystery student of the Papal chapel in Renaissance, staring via a Judas gap to watch how the younger castratos studied making a song. thinking about Belcanto due to the fact that 1600, her own vocal experiences ended always in failures: she fell asleep in periods of an empathetic woman; a eastern piano professor shouted encouragement and driven her via outdated Italian arias until eventually her voice had damaged into : a coarse alto and a squeaking soprano and approximately not anything yet a throaty circulate of air in among. the following instructor, a tenor provided her a male shoulder whilst she broke into tears attempting to sing Mozart arias for four months. ultimately while she obtained it “waterlessly”, he left for a greater occupation. one other tenor placed her right into a zoo of animals voices, forbidding her to sing for 2 years. Musically ravenous , she ran away to mystery periods with a conductor who helped her examine a repertoire. evening for evening, she sat in spooky dimlight church buildings education arias. Then Ann Reynolds Italian approach interested her in a masterclass. the outcome was once her first encouraged e-book approximately Italian making a song. Exploring the idea in the back of her perform then turned a excitement for her musicological mind. yet by surprise she stopped to take advantage of merely understanding she had proficient in years of physique remedy with Alexandertechniqe, Rolfing, Feldenkrais, Linklater, Cantieni, Hatha Yoga and numerous religious respiring tools. Analizing video clips from the easiest divas of all instances - Maria Callas, Joan Sutherland, Luisa Tetrazzini and others – undefined. looking at minuscule physique and throat activities introduced her a step forward. After twenty years she came upon her actual Coloratura Soprano and at last grew to become the boss of her inflexible tongue. “Behind each weak point hides a talent!” is her motto now. For her personal voice education she built a laugh workouts, effortless to do for the treatment of all commonplace singers’ faults round passaggio, Avanti, entrance positioning, messa di voce, vowel stability, the assault of the tone and legato. That was once the instant the e-book and strategy “Singing like Callas and Caruso” have been born, whilst she ultimately reached not just to discover her genuine Belcanto voice, yet to alter singers’ voices in the course of her sessions inside ten mins of teaching. As a vocal trainer and character Styling trainer Dr. A.S. Karin Wettig lives and teaches in Munich. For education, movies, e-book details and periods you could meet her on her site.

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Extra info for Singing like Callas and Caruso: Belcanto Voice and Body Training

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After the first lesson, this friend phoned me excitedly, that he had never heard such a wonderful tenor voice and that I should come and listen during the next class. P. was training the young Hopf with some lines of Lohengrin, but in spite of the wonderful heritage of the pupil, the teacher never seemed to be happy with the results and the pupil became more and more confused. After the lesson, P. invited me to sing. I sang a Mozart aria and he didn’t mince words telling me that I needed a complete voice repair because every tone seemed to be in the wrong place.

My voice seemed to demonstrate my fight for survival in everyday life since my divorce. No friends, no social life in this big city, a job with nice colleagues but mostly bad bosses. Rivalry and jealousy in the Munich Bach Choir, where sopranos had not only piercing voices but also piercing elbows: during my first stage appearance with the choir in the Philharmonic Hall I nearly fell into the orchestra pit being the last person in the soprano row. As the virus of Opera singing had infected me so badly, I still couldn’t give up the singer’s way to Rome.

Further investigation made me dive deeper into the subject of opera singing, when I decided to publish the English version of this book for the international market. On the way to my authentic voice my scientific appetite helped me to dive into the story of Belcanto from the castrato singers shortly after 1600 until today. I feel honoured to mention the most famous voice teachers who gave me insights for my own voice just by reading their books. With my personal body and voice balance training I am able to prove that Italian Belcanto practice is the best method for voice training no matter what style you sing between hard rock, heavy metal, pop, musical and opera.

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