By Bach, Johann Sebastian; Winold, Allen
Publication via Allen Winold
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Bach's Cello Suites, Volumes 1 and 2: Analyses and Explorations
Booklet by means of Allen Winold
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Extra resources for Bach's Cello Suites, Volumes 1 and 2: Analyses and Explorations
Sample text
This might appear to be a contradiction, but it is possible for a movement to be a variation of another movement, and at the same time have a strikingly different character. Bach wrote over forty works that could be considered as suites. ” The national titles were added later, not by Bach. Some works in suite form have special titles, such as the four Overtures for orchestra, the six Partitas from the first volume of the Clavier-Übung, and the three Partitas for solo violin. The solo violin works were actually called “Partias” in the original manuscript.
1 d). Despite this, these passages seem to have the same basic functional characteristics. 2. ANALYTICAL CONCEPT: FUNCTIONAL CHORD CLASSIFICATION Observations of harmonic function in works of the common practice period gradually led some music analysts to organize chords into a limited number of functional chord classes.
For those who consider Bach primarily as a composer of sacred choral music and as a church organist, the Cöthen period represents a way station on the road that led to the position of cantor of St. ” For those who regard his keyboard and instrumental music as being of equal or greater significance, the Cöthen period represents one of the richest periods in his creative life, for it included not only the Cello Suites, but other instrumental works such as the Sonatas and Partitas for Solo Violin, The Well-Tempered Clavier, Part 1, and the six Brandenburg Concertos.