AS Film Studies: The Essential Introduction by Sarah Casey Benyahia

By Sarah Casey Benyahia

AS movie reports: the fundamental Introduction offers scholars the arrogance to take on the whole lot of the WJEC AS point movie reports path. The authors, who've extensive ranging adventure as lecturers, examiners and authors, introduce scholars step-by-step, to the abilities thinking about the learn of movie. the second one version follows the recent WJEC syllabus for 2008 educating onwards and has a significant other web site with extra assets for college students and teachers.

Specifically designed to be person pleasant, the second one version of AS movie reviews: the fundamental creation has a brand new textual content layout to make the booklet effortless to stick with, contains greater than a hundred color photographs and is jam jam-packed with positive factors such as:

  • Case stories proper to the 2008 specification
  • Activities on movies together with Little leave out Sunshine, Pirates of the Caribbean & The Descent
  • Key phrases
  • Example examination questions
  • Suggestions for extra examining and site resources

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Extra info for AS Film Studies: The Essential Introduction

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However, what you will find if you get the chance to watch some clips from old silent films is that even from very early in film history cinematographers were devising imaginative ways of getting moving shots with these rather large, heavy wooden cameras. So, yes, available technology must to some extent impose 31 FILM FORM KEY TERM CAMERAWORK This clearly and quite simply refers to the work done with the camera in the making of a film. However, the possibilities open to the cinematographer are anything but simple.

Or, sometimes the left or right half of a character’s face may be lit while the other half remains in shadow, perhaps again suggesting a person with darker and lighter aspects to their character. This is the case when we encounter the Daniel Day-Lewis character, Johnny, with the other members of his British National Party gang beneath the railway line in My Beautiful Laundrette (Frears, 1985). ACTIVITY . . ■ ■ Working on your own or with one or two others, find a range of shots that light faces in interesting and perhaps distinctive ways.

The lack of colour allows Spielberg to be explicit without becoming tastelessly graphic. Spielberg’s black and white also achieves a number of other coherent aesthetic objectives. It echoes newsreels and documentaries of the Holocaust made at the time, thus establishing historical context and a feeling of authenticity. Alan A. net) ACTIVITY . . 1 2 3 If possible, look at relevant extracts from some of these films and decide why you believe black and white might have been used on each occasion.

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