By Roy Armes
During this landmark dictionary, Roy Armes info the scope and variety of filmmaking around the Arab heart East. directory greater than 550 characteristic movies via extra than 250 filmmakers, and brief and documentary movies via one other 900 filmmakers, this quantity covers the movie creation in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An creation via Armes locates movie and filmmaking traditions in the sector from early efforts within the silent period to state-funded productions by means of remoted filmmakers and politically engaged documentarians. half 1 lists biographical information regarding the filmmakers and their function motion pictures. half 2 information key characteristic movies from the international locations represented. half three indexes feature-film titles in English and French with information about the director, date, and nation of starting place.
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In Fertile Memory, Khleifi’s fluent camerawork and evocative use of music also offer a lament for Palestine’s lost lands and autonomy. Throughout this beautifully edited film, there is a concern with the dignity of simple interior spaces and the beauty of the empty landscape. The inclusion toward the end of black-and-white newsreel footage of the Israeli response to the first intifada adds a fresh poignancy to Khleifi’s restrained, contemplative stance. 60 The third Arab-Israeli war (the Six-Day War in 1967), unlike the second (the Suez crisis), had a profound effect on Palestinian life and on resistance to Israel.
Fertile Memory not only comprises two very different stories, it also involves two documentary procedures, with Sahar questioned by an unseen interrogator, while Roumia gives her own account, largely in voice-over, and participates in what seem to be staged scenes of domestic life. One focus of the film is on the everyday gestures of the two women, but Khleifi has said that he intended the film to be not just about women but also for women. In Fertile Memory, Khleifi’s fluent camerawork and evocative use of music also offer a lament for Palestine’s lost lands and autonomy.
Introduction 11 The Extras (1993, Syria) Nabil al-Maleh is a pioneer of Syrian cinema who contributed one episode to the first collective film produced by the state film corporation and directed its first full-length feature, The Leopard (1972). But like virtually all Syrian directors, he has had trouble with the film authorities and the censor, and he returned from years in exile to direct his fifth, and to date final, feature, The Extras, in 1993. After a fairly frenetic credit sequence, which edits together key images from throughout the film, The Extras is a virtually real-time study of 2 hours spent together in a friend’s flat by two young people, shot through only by brief images of the man’s imaginings of his own force and prowess.