By Alan Rosenthal
As Alan Rosenthal states within the preface to this new version of his acclaimed source for filmmakers, Writing, Directing, and generating Documentary movies and movies is a ebook approximately storytellinghow to inform nice and relocating tales approximately interesting humans, whether or not they be villains or heroes.”
In reaction to the technological advances of the final six years and the calls for of cable television stations like Discovery and A&E, Alan Rosenthal reconsiders how one ways documentary filmmaking within the twenty-first century. Foregoing thought and undefined, Rosenthal tackles the day by day difficulties from preliminary idea via distribution, emphasizing the study and writing approach.
He deals examples of interviewing, narration writing, and the complexities of modifying. easily and obviously, Rosenthal explains the way to write, direct, and bring the documentary, no matter if movie or video. New points of this 3rd version comprise nonlinear modifying concepts, a posh funds instance and its research, plus a bankruptcy on Staying Alive,” which info how eu and U.S. stations method documentary and the way the net may also help filmmakers locate new markets. a brand new bankruptcy has been additional to deal with the transforming into style of relations films.
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Extra info for Writing, Directing, and Producing Documentary Films and Videos Third Edition
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What is the best budget? You should try to get a rough sense of the organization—whether it is wealthy or desperate, whether it lives from pro¤ts or donations. Once you have this picture in mind, you will have a good idea how to make your bid. When there is competition for the ¤lm, things are trickier. When other people are bidding for the same ¤lm, the question becomes how to make a reasonable bid that will keep you in competition with everybody else and yet will leave you enough to make both a quality ¤lm and a pro¤t.
If you are the only ¤lmmaker being considered for the project, and if the sponsor came to you with their idea, then you are in a relatively good position to argue for the best budget under the circumstances. What is the best budget? You should try to get a rough sense of the organization—whether it is wealthy or desperate, whether it lives from pro¤ts or donations. Once you have this picture in mind, you will have a good idea how to make your bid. When there is competition for the ¤lm, things are trickier.
I think the idea is a dynamic one, well suited to Secret History, and I would very much appreciate your sparing some time for us to meet to see whether we can develop this idea in tandem. If you know the local TV station or the BBC is doing a series on writers called Bookends, your introductory letter might go as follows: Dear Mr. Monson: I am a writer-producer of arts documentaries and would be obliged if you would consider the following idea for inclusion in Bookends: 23 FROM IDEA TO FIRST DRAFT As you know, Frank McCourt’s book Angela’s Ashes skyrocketed from nowhere to 120 weeks on the best-seller charts.