The complete guide to home video : shoot and edit like a by Ben Pitt

By Ben Pitt

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135). For many, the romances of Qiong Yao are as socially and culturally relevant as the more political celluloid that would later be produced by movements such as the Taiwanese New Wave. After 1980 the emergence of the Taiwanese New Wave saw ‘social realist films’ become the mainstream of Mandarin-language films. Films around this time tended to portray sex, violence, gambling, gangs and underground societies and the focus was on the underbelly of modern Taiwan. Around this time a sub-stream of films that featured ‘revenge-seeking girls’ appeared.

Mabel Cheung’s 1998 film City of Glass is a beautiful reminiscing of Hong Kong’s history from the 1960s through to 1997 (although very different in tone compared to Ann Hui’s Ordinary Heroes which examines a similar topic). Her last feature film was Beijing Rocks (2001) exploring the 32 WOMEN’S TRAJECTORIES IN CHINESE AND JAPANESE CINEMAS underground rock scene. Her most recent production, in which she worked as producer, is the very touching Echoes of the Rainbow (2010). Interestingly, this is the ‘come-back’ work of Cheung and her husband Alex Law who have worked closely throughout their respective film careers.

Columbia: Columbia University Press. Xue, Huiling and Wu Junhui (1994) The Era of Taiwanese Language Cinema. Taipei: National Film Archive. Yang, Yuanying (1996) Her Voices: Recounts from Ten Chinese Female Directors. Beijing: Social Science Press. Yang, Yuanying and S. Louisa Wei (2009) Women’s Cinema: Dialogues with Chinese and Japanese Female Directors. Shanghai: Eastern China Normal University Press. Yau, Ching (2004) Filming Margins: Tang Shu Shuen, a Forgotten Hong Kong Woman Director. Hong Kong: Hong Kong University Press.

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