By Vachel Lindsay
Within the box of movie aesthetics, it's the first very important American paintings, nonetheless important--The artwork of the relocating photo is astonishing.--Stanley KauffmannWritten in 1915, The artwork of the relocating photo via poet Vachel Lindsay is the 1st ebook to regard videos as paintings. Lindsay writes an excellent research of the early silent movies (including numerous now misplaced films). he's terribly prescient in regards to the way forward for moviemaking--particularly concerning the company, the prominence of know-how, and the emergence of the director because the writer of the movie.
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Additional resources for The Art of the Moving Picture (Modern Library Movies)
Example text
A Pictorial History was just that, a chronological collection of movie stills accompanied by brief descriptions of the movies from the silent-film era to 1949. It was the first course in my film education. Its beautiful black-and-white images re-created the visions and emotions of the movies I’d already seen, and allowed me to dream about the others. It wasn’t until some thirty years later that I was able to own a copy of the book (it had gone out of print and was difficult to find). The late Roddy McDowall also grew up with the Deems Taylor book.
Chapter XIII—Hieroglyphics. One of the implications of this chapter and the one preceding is that the fewer words printed on the screen the better, and that the ideal film has no words printed on it at all, but is one unbroken sheet of photography. This is admitted in theory in all the studios now, though the only film of the kind ever produced of general popular success was The Old Swimmin’ Hole, acted by Charles Ray. If I remember, there was not one word on the screen, after the cast of characters was given.
Chapter XXI—The Acceptable Year of the Lord. If I may be pardoned for referring again to the same book, I assumed, in The Golden Book of Springfield, Illinois, that the Acceptable Year of the Lord would come for my city beginning November 1, 2018, and that up to that time, amid much of joy, there would also be much of thwarting and tribulation. But in the beginning of that mystic November, the Soul of My City, named Avanel, would become as much a part of the city as Pallas Athena was Athens, and indeed I wrote into the book much of the spirit of the photoplay outlined, this page through this page.