Scott Pilgrim Gets It Together by Bryan Lee O'Malley

By Bryan Lee O'Malley

Scott Pilgrim is slacker/hero/rockstar, which was once figuring out for him until eventually he met the lady of his (literal) desires. Now he needs to struggle her seven evil ex-boyfriends to stick with her.

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Let us start by returning once more to Mark Antony and the Roman forum. There is clearly a sense – and this is the proviso noted at the beginning of the previous chapter – in which Mark Antony’s audience in the forum though, as was argued, not the public was nevertheless a public. It was his public. 27 Public as Audience In some pedantic sense it would have been that even if his appeal had been greeted by boos and jeering. Just as the ruined forum today, by becoming a focus of attention for tourists, forms the latter in a manner of speaking, and however transiently, into its public, so too simply by lending him their ears, those who were present when Mark Antony held his funeral oration formed his public.

In this there seems to be something inevitable. As a wouldbe player, or play space, on the political scene the public sphere appears doomed to become a sphere of what we earlier referred to as anonymous ‘anyones’. This is already implicit in the ‘eclipse’ of the public, referred to by Dewey, though he also saw it as a crystallization into separate worlds of interest with their correspondingly mutually independent ‘publics’. The problem is sheer size; the larger the nation, the more information and the wider the perspective required of those who would guide its future.

That will allow us to see how the public’s occupancy of such a space differs both from other ways of occupying it and from its time-to-time occupancy of such sheerly physical locations as streets, pedestrian precincts, public gardens, art galleries, sports stadiums and other spaces reserved for ‘the public’. In its more abstract sense the term ‘public space’ indicates the presence and possession of shared knowledge and interests. Although the interests people share are far from being exclusively political, it is through the idea of the public good served by political and public life that a public space acquires its prime etymological right to the title ‘public’.

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