By Nick Kaye
Multi-media charts the improvement of multi-media video, deploy and function in a distinct discussion among theoretical research and in particular commissioned documentations via a number of the worlds leading artists. Nick Kaye explores the interdisciplinary background and personality of experimental practices formed in exchanges among song, set up, theatre, functionality paintings, conceptual artwork, sculpture and video.
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Riaz Basha Electronic Relationship Officer Credits The Builders Association/motiroti’s Alladeen Conceived by Keith Khan, Marianne Weems, and Ali Zaidi Page design in collaboration with David Cabrera Text edited by Marianne Weems Photos and interview excerpts by Ali Zaidi Excerpts from scene dialogue by Rizwan Mirza, Tanya Selvaratnam, Heaven Phillips, and Jeff Webster In Bangalore: Ali Zaidi & Peter Norrman (Videography) Jyoti Makhija (Research & Production) Mike Isaac & Frame of Mind (Technical Production, hire & crew) Invaluable assistance in India: Dr.
Student Yeah Bunny. American Trainer Why don’t we call him Brett—you know like a good American name. Bunny—I mean for Christ’s sake—you’re called Brett! Student Brett? American Trainer B-R-E-double T. Brett. Student Brett. American Trainer Alright? Or Brad. Or Joey. You’re not called Bunny. Jesus Christ. Student (practicing) Jesus Christ… American Trainer Alright. Lets go…. Is India getting exploited? Let me answer that by saying: we are not jerks. We’re actually using the opportunity given by your company for our personal growth and the growth of our nation.
It is a process. (Cage and Charles 1981:80) In this context, Cage’s first lecture at Darmstadt, ‘Changes’, whose title refers to the I Ching: Book of Changes, reflected his earlier acceptance of Ananda K. Coomaraswamy’s proposition that ‘the function of Art is to imitate Nature in her manner of operation’ (Cage 1976:31). It was this position that had brought Cage to the introduction of chance method into his work in 1952 and, subsequently, to compositions ‘indeterminate’ with respect to their performance, in which each realization may produce an unpredicted and continuously unpredictable outcome.