Lire et écrire un scénario: Le scénario de film comme texte by Isabelle Raynauld

By Isabelle Raynauld

Qu’est-ce qu’un « bon » scénario ? remark savoir si l’ultime model de ce scénario est prête à tourner ?

Si le scénario est écrit pour être réalisé, il est aussi, forcément, un texte qui doit être lu. L’écriture et los angeles lecture sont traitées dans cet ouvrage comme un couple inséparable, motor vehicle nos manières de lire le scénario importent autant, sinon plus que son écriture. 

Comment aider un scénariste à écrire ? Qu’attendons-nous du scénario, qu’espère-t-on y trouver ? Qu’ont en commun les scénarios qui ont donné des movies forts et mémorables ? Pourquoi tant de scénarios ne seront-ils jamais réalisés ? Le scénario est un désir de fi lm et il en est aussi los angeles promesse. remark réussir à écrire ce que comme scénariste nous aimerions voir à l’écran ? 

À toutes ces questions ce livre apporte des réponses précises et suggest des clés d’écriture et une réflexion sur le fonctionnement textuel du scénario. 

Isabelle RAYNAULD est scénariste, réalisatrice, consultante en scénarisation et professeure au département d’histoire de l’art et cinéma à l’Université de Montréal.

Elle a écrit plusieurs scénarios (en français et en anglais) et réalisé des movies de fiction et des documentaires dont Le Minot d’or ; Histoires de zizis ; Le cerveau mystique et Un homme à l’île de Sark.

Elle détient un doctorat de l’université de Paris VII sur l’histoire, l. a. théorie et los angeles pratique du scénario des débuts du cinéma à aujourd’hui. Son prochain movie porte sur le cerveau et l. a. musique.

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