By Raphaëlle Moine
Le style, thought centrale dans l. a. construction cinématographique, suscite de nombreuses interrogations. remark le définir et le reconnaître ? Quelles fonctions remplit-il dans les processus de construction et de réception des movies ? remark s’inscrit-il dans l’histoire du cinéma ?
Pour y répondre, ce livre suggest une réflexion conjointe sur los angeles thought elle-même, sur les principaux genres et sur les « gestes génériques » qui constant à nommer, reconnaître ou exploiter des genres cinématographiques.
Cette synthèse des théories et des analyses portant sur les usages de l. a. inspiration de style au cinéma, est illustrée de nombreux exemples empruntés aussi bien à l. a. filmographie hollywoodienne classique (western, comédie musicale, mélodrame, movie noir, etc.) qu’au cinéma de style contemporain, aux cinémas européens ou asiatiques.
Intégrant les dernières recherches dans le domaine, cette nouvelle édition s’adresse aussi bien aux chercheurs qu’aux étudiants en cinéma, qui se doivent de maîtriser cette notion.
Raphaëlle MOINE est professeure d’études cinématographiques à l’Université de Paris 10 Nanterre. Elle a récemment publié Remakes : les movies français à Hollywood (CNRS Éditions, 2007).
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Extra resources for Les genres du cinéma (2e édition)
Sample text
One of the first and certainly the most successful in the early years was a conglomeration of vertical film enterprises forged by Oskar Messter, who brought together various branches of filmmaking, from manufacture of equipment to production of films to exhibition. Messter adapted the Maltese cross for his projectors, after a design by Max Gliewe, and became one of the largest producers of projection equipment in Europe. He also produced film shorts, newsreels, and feature films. His motivation for beginning film production was simple: he needed to create product for his projectors.
2003 6 June: Good Bye, Lenin! (Wolfgang Becker) won a Lola in Gold for Best Film. The film tapped into a wave of nostalgia for the German Democratic Republic. 8 September: The Deutsche Filmakademie (German Film Academy) was founded in Berlin. The Academy was given the responsibility of promoting German film and was put in charge of the awards ceremony. 2004 5–15 February: Fatih Akin’s Gegen die Wand (Head-On) premiered at the Berlin Film Festival. Akin’s film won a Golden Bear, the first German film to win in 18 years.
The film, which was the director’s final degree project in film school, became a phenomenal success and created a wave of romantic comedies that lasted throughout the 1990s. 1994 6 October: The relationship comedy Der bewegte Mann (Maybe . . Maybe Not, Sönke Wortmann) premiered. , and made Til Schweiger an international star. November: The Deutscher Kinematheksverbund (German Film Society) released a list of the 100 most significant German films on the occasion of the 100th anniversary of the birth of motion pictures.