By PAUL SIMPSON
This systematic advent to the idea that of standpoint in language explores the ways that viewpoint is formed through ideology. It focusses at the approach within which humans encode their ideals and biases in a wide selection of media.
content material: ebook disguise; identify; Contents; sequence editor's advent to the Interface sequence; Acknowledgements; advent: analysing viewpoint in language; Stylistics and important linguistics; utilizing this booklet; Notes and additional analyzing; perspective in narrative fiction: preliminaries; Spatial and temporal standpoint; Speech and idea presentation; methods to indicate of view at the mental aircraft; precis; Notes and extra analyzing; perspective in narrative fiction: a modal grammar; Modality in language; A modal grammar of perspective in narrative fiction.
summary: This systematic advent to the concept that of viewpoint in language explores the ways that perspective is formed by means of ideology. It focusses at the method within which humans encode their ideals and biases in a large choice of media
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Additional resources for Language, ideology, and point of view
Example text
That makes three and a penny. — Yes, sir, the chemist said. You can pay all together, sir, when you come back. 10— Good, Mr. Bloom said. He strolled out of the shop, the newspaper baton under his armpit, the coolwrappered soap in his left hand. At his armpit Bantam Lyons’ voice and hand said: — Hello, Bloom, what’s the best news? Is that today’s? Show 15 us a minute. Shaved off his moustache again, by Jove! Long cold upper lip. To look younger. He does look balmy. Younger than I am. Bantam Lyons’ yellow blacknailed fingers unrolled the baton.
Take off the rough dirt. Good morning, have 20 you used Pears’ soap? Dandruff on his shoulders. Scalp wants oiling. — I want to see about that French horse that’s running today, Bantam Lyons said. Where the bugger is it? He rustled the pleated pages, jerking his chin on his high 25 collar. Barber’s itch. Tight collar he’ll lose his hair. Better leave him the paper and get shut of him. (Penguin edn, p. 86) FDS and FDT can be seen operating in tandem here, along with a third strand which Leech and Short refer to as Narrative Report of Action (NRA) (1981:324).
The case for subsuming spatio-temporal point of view into a broaderbased category of psychological point of view is also argued by Uspensky: the author may assume the point of view of one of his characters in all the possible aspects…. Thus the authorial position would fully concur with the position of the viewpoint character [sic] on the psychological plane. Also, the author would move through time and space together with this character, adopting his horizons— accordingly, the position of the author would concur with that of the character on the spatial-temporal plane.