By Tom Pendergast, Sara Pendergast
This entire source presents thorough assurance of flicks and filmmakers via to the spring of 2000. Entrants contains mythical movies, actors and actresses, administrators, writes and different creation artists. Entries comprise an in depth essay; biographies; filmographies; complete credit; significant awards; and up-to-date bibliographies. This fourth variation comprises greater than 260 new entries and greater than 2 hundred up-to-date entries.
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Extra info for International Dictionary of Films and Filmmakers. Vol. 4: Writers and Production Artists
Example text
Ecran (Paris), 15 December 1979. On Kramer vs. Kramer in Millimeter (New York), March 1980. On Kramer vs. Kramer in American Cinematographer (Hollywood), May 1980. Monthly Film Bulletin (London), May 1980. Film Français (Paris), 3 October 1980. American Cinematographer (Hollywood), September 1981. Cinema e Cinema (Bologna), April-July 1982. Mediafilm (Brussels), Winter 1982. Millimeter (New York), February 1983. Film Français (Paris), 18 March 1983. Cahiers du Cinéma (Paris), April 1983. Canby, Vincent, on Claire’s Knee in New York Times, 28 February 1971.
5: Exploring Hydriotaphia,’’ in Music Review, August-November 1993. Score (Lelystad), September 1996. * * * William Alwyn was the most successful British example of a composer dividing his creativity between absolute music and film composition. Between 1941 and 1963 he scored almost 80 films, while at the same time producing an extensive catalogue of concert, choral, and chamber works. It includes five symphonies, the opera Miss Julie, a piano concerto, a violin concerto, three concerti grossi, and several song cycles.
In Cinefantastique (Forest Park), vol. 26, no. 2, 1995. * * * John A. Alonzo represented—along with Vilmos Zsigmond, Gordon Willis, Conrad Hall, and others—a new breed of Hollywood cinematographer that entered the business during the 1970s whose work, like that of many new breed directors and editors at the time, challenged the classic style of Hollywood filmmaking by striving to be more experimental. His career falls neatly into three segments. Initially, he journeyed to Los Angeles to make his fame and fortune as an actor; indeed for a short time he was the host of a locally produced children’s show in Los Angeles.