By Giuliano Serafini
Alberto Burri was once born in Città di Castello, in Umbria in 1915. He earned a scientific measure from the college of Perugia focusing on tropical drugs. On 12 October 1940, days after Italy entered international battle II, Burri used to be referred to as up as a medic and despatched to Libya in March 1943. On eight might 1944 after the defeat of the Axis forces, his unit was once captured in Tunisia, he used to be interned in Camp Howze prisoner-of-war camp in Gainesville, Texas, the place he started to paint. His first work have been perspectives of the desolate tract he may perhaps see from the legal camp and nonetheless life's with paints and canvases provided through the YMCA. He essentially painted "nostalgic Umbrian landscapes and figures", as Milton Gendel defined in an ArtNews factor released in 1954. He accrued previous burlap sacks and taken them with him upon his go back to Italy and persisted to exploit them in preference to canvas. He persevered to take advantage of burlap, having a provide from the neighborhood miller.
Sommario:
La Pittura
La Materia
Il Teatro, los angeles Scultura, L'ambiente
I Ritorni del Tempo
Quadro Cronologico
Bibliografia
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1-7 (for the yield from the sale and for payments owed by the members of Oudry’s family for works acquired at the auction). The notarial documents confirm Gougenot’s statement (1761, p. 371) that the collection fetched 40,000 livres. 130. Archives Nationales, Minutier Central, LIII/348 (see note 109 above), “Masse de partage,” nos. 15, 25, 29. 131. Archives Nationales, Minutier Central, LIII/348 (see note 109 above), “Masse de partage,” nos. 10–12. For the silversmiths in Oudry’s circle, see Solodkoff 2000 and Fontainbleau–Versailles 2003–4, pp.
Sahut, “Un exceptionnel décor de Jean-Bapstiste Oudry entre au Louvre,” Revue du Louvre, la revue des musées de France 1 (February 2003), pp. — Oudry (exceptionally) painted in 1722, see Ottawa–Washington–Berlin 2003, p. 21. 27. Sahut (see note 26 above). Inventoried among the contents of Oudry’s studio at the Tuileries was “le portrait de Mr. Fagon, prisée la somme de six livres”; see Archives Nationales, Minutier Central, LIII/345, “Inventaire après décès,” Jean-Baptise Oudry, 7 May 1755, Tableaux et copies [Tuileries], no.
For Oudry’s gouache Study of a Leopard, ca. 1732, in the Staatliches Museum Schwerin, see Grate 1994 (note 45 above), p. 237, and Fontainebleau–Versailles 2003–4, pp. 160–61. 102. Paris 1982, pp. 168–69; Droguet in Fontainebleau–Versailles 2003–4, p. 94. 28 BAILEY 104. Paris 1982, pp. 208–10; Schwerin 2000, pp. 62–63. 106. ”: Gougenot 1761, p. 382. 107. J. Guiffrey, “Scellés et Inventaires d’Artistes,” Nouvelles Archives de L’art français (Paris, 1884), pp. 203–4. The birth date of Oudry’s eldest son is given in Archives Nationales, Minutier Central, LIII/349, “Notoriété,” 2 July 1756; according to Opperman (1977, vol.