By Nabokov, Vladimir V.; Nabokov, Vladimir Vladimirovič; Nabokov, Vladimir Vladimirovich; Vries, Gerard de; Nabokov, Vladimir; Johnson, Donald Barton; Ashenden, Liana
The authors hint the position of paintings in Nabokov’s lifestyles, from his alphabetic chromesthesia—a mental during which letters evoke particular colors—to his education below Marc Chagall’s portray teacher to his deep admiration for Leonardo da Vinci and Hieronymus Bosch. They then study over one hundred fifty references to express artworks in such novels as Laughter within the Dark, the genuine lifetime of Sebastian Knight, Pnin, Lolita, Ada, and Pale Fire and view how such references exhibit new emotional features of Nabokov’s fiction.
A attention-grabbing and utterly unique examine, Nabokov and the paintings of Painting may be necessary interpreting for students and fanatics of Nabokov alike.
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Additional info for Vladimir Nabokov and the art of painting
Sample text
The general background is a mysterious blueness with a delicate trellis of twigs in one corner. Thus Sebastian peers into a pool at himself. ‘I wanted to hint at a woman somewhere behind him or over him – the shadow of a hand, perhaps…something…. ’ ‘Well, nobody seems to know anything about her. ’ ‘No, I want to know more. I want to know all. Otherwise he will remain as incomplete as your picture. Oh, it is very good, the likeness is excellent, and I love that floating spider immensely. Especially its club-footed shadow at the bottom.
In Invitation to a Beheading, Pale Fire and Ada, Nabokov presented entirely new environments. Visual artists can also deviate from reality to a great extent. Rembrandt’s drawings of landscapes like Six’s Bridge (1645), The Gold-Weigher’s Field (1651) and View of Amsterdam (c. 1640) are totally convincing, but are in fact narrow strips of land mostly consisting of horizontal lines, while Turner’s seascapes are masses of water with Alpine altitudes. Contrary to Rembrandt, he does not stretch his landscapes horizontally, but vertically.
Referring to paintings which could exemplify his sentiments provided him with excellent hiding places for his ethical concerns. This example might show that the picture gallery in Nabokov’s work is not just an exquisite collection well befitting the richness of his oeuvre, but also the result of careful selections to match the various themes in his novels, thus contributing to the profoundness of his art. nabokov and the two sister arts 29 Nabokov bw(d) 02-11-2005 10:26 Pagina 30 2 The ‘Mad Pursuit’ in Laughter in the Dark ‘Once upon a time there lived in Berlin, Germany, a man called Albinus.