Virginia Woolf's Bloomsbury, Volume 2: International by Gina Potts, Lisa Shahriari

By Gina Potts, Lisa Shahriari

This quantity collects essays via eminent and rising Woolf students from all over the world, concentrating on Virginia Woolf's and Bloomsbury's politics. topics contain battle, freedom of the click, economics and cultural construction, the Hogarth Press, the worldwide movement of rules, and ameliorations to the general public sphere.

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Extra resources for Virginia Woolf's Bloomsbury, Volume 2: International Influence and Politics

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People blasted are gone. In the time-setting of the novel these are feared events, not yet happened: Giles thinks: ‘At any moment guns would rake that land into furrows; planes splinter Bolney Minster into smithereens and blast the Folly’ (BTA, p. 53). By the time the novel was finished many such events had occurred. If apocalypse means prophecy, as well as – a more recent sense – disaster, Woolf’s work, lying in that warp of time made possible by the performance of tense in narrative, is a prophecy that England, Europe, may not survive the war that has begun.

What became and remains the more significant story – during Woolf’s time and the present – is the reporting about the reporting, and the increasingly complex relationship between government and the media. 2 During television and print interviews, Vice President Dick Cheney often referred to the information contained in the the New York Times articles written by Miller in order to buttress his case regarding the presence of these weapons. This set up a loop in which Cheney’s minions got information onto the front page of the New York Times, and he gained credibility by essentially quoting himself and his colleagues – and disseminating false information to the world.

5. 6. 7. 8. 9. Virginia Woolf’s Bloomsbury, Volume 2 April 1919, Anxiety Oct 1920, Fancy Feb 1927, Hardy’s Funeral Jan 1928, Rome May 1935, War June 1940, Parents Dec 1940, Last Entry March 1941. ’ The invocation of ‘Parents’: ‘How beautiful they were’ alludes to Schumann at the start, then its waltzrhythm is interrupted by the anxiety of the war. , 1992 (CRC 2092 DDD). Stuart N. Clarke gave a paper on “Virginia Woolf in the Age of Aerial Bombardment” at the same conference where I first presented this work, June 2004.

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