By Mark J. P. Wolf
The game Explosion: A historical past from PONG to PlayStation and Beyond lines the expansion of a world phenomenon that has develop into an essential component of pop culture this day. All points of games and gaming tradition are lined inside of this attractive reference, together with the prime online game innovators, the technological advances that made the video games of the overdue Seventies and people of at the present time attainable, the companies that gained and misplaced billions of bucks pursing this profitable industry, arcade tradition, in addition to the loss of life of free-standing video consoles and the increase of home-based and hand held gaming devices.
In the USA on my own, the online game raked in an surprising $12.5 billion final yr, and indicates no symptoms of slowing. as soon as brushed aside as a fleeting fad of the younger and frivolous, this booming has not just confirmed its endurance, yet can provide to proceed using the way forward for new media and rising applied sciences. at the present time games became a unlimited and multifaceted medium in which Fortune 50 businesses and Hollywood visionaries alike are attaining broader worldwide audiences and influencing cultural traits at a expense unrivaled by means of the other media.
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Additional resources for The Video Game Explosion: A History from PONG to PlayStation and Beyond
Sample text
Today there are still some who question whether video games are an art, or worth studying academically, but, like film, video games are wide ranging in their content and styles, video game designers continue to explore their artistic potential, and games are finally gaining some respect within academia. Today video games are a multibillion-dollar-a-year industry, bigger than the film industry, and occasionally using the same actors, storylines, and special effects that films use. Video games compete in all the places where film is found, including movie theaters (many of which have arcades), the television at home, and in video rental stores, which rent games and game systems.
3 (1990) and Warioland (1995). Some games, like Pole Position (1982), simulated a 3-D space through the careful use of scaling (zooming larger or smaller) sprites, enlarging them as they move away from the vanishing point in the game’s background. Sega’s Space Harrier (1985) could quickly scale and rotate 32,000 colored sprites at once. Sprite-based graphics dominated arcade games throughout the 1980s but began to fade in the 1990s as games with true three-dimensionally rendered graphics began to make them look outdated.
Today video games are a multibillion-dollar-a-year industry, bigger than the film industry, and occasionally using the same actors, storylines, and special effects that films use. Video games compete in all the places where film is found, including movie theaters (many of which have arcades), the television at home, and in video rental stores, which rent games and game systems. Film, television, and video games also share some of the same franchises, those programs whose characters and stories appear in all three media.