By Christopher Finch
First released in 1973, The artwork of Walt Disney is likely one of the so much winning and influential illustrated artwork books on American pop culture ever released. This ebook was once the 1st to bare the wealth of thought paintings, animation drawings, and archival fabric created during animating motion pictures. during this newly revised version, writer Christopher Finch has completely transformed each bankruptcy to include the substantial achievements of The Walt Disney corporation in filmmaking, theater, and topic parks, from Walt’s day to the current, together with all-new intriguing chapters on Pixar Animation Studio and Walt Disney Animation in addition to wide interviews with their leader artistic officer, John Lasseter, and president, Ed Catmull. delivering enormous quantities of latest pictures and unprecedented entry to top filmmakers and artists on the Walt Disney corporation, The artwork of Walt Disney will once more seize the imaginations of animation enthusiasts old and young.
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Extra info for The Art Of Walt Disney: From Mickey Mouse to the Magic Kingdoms
Sample text
Cock of the Walk, with its brilliant parodies of Busby Berkeley dance routines, seems one of the best cartoons of its period. In view of this, the severity of Disney's remarks seems extraordinary, but we must keep in mind the fact that he was trying chance to to build it make each one of pushing his these films into a little jewel. He animators as far as he would push himself. note, too, that he was by 1935 deeply involved in believed in We should planning Snow White and was. therefore, very concerned with establishing the standards that would be required to animated feature.
The Silly Symphonies evolved a new range of subtleties. Shown here are scenes from, left top to bottom. Father Noah's Ark. The Tortoise and the Hare, and The Grasshopper and the A nts. Lullaby Land, 1933. top right, presents a dream adventures in a landscape metamorphosed from the patchwork quilt child's that covers his bed. Spring, *,;'- Below: The Goddess of from the following year and Tortoise the Hare put Aesop into modern dress as the rakish hare loses his race to the tortoise against a milky landscape that is typical of those early color cartoons.
And became less significant and Mickey was important in 1931, for Time magazine to devote a feature article to him. By the end of 1931, Disney's demand for constant improve- enough ment had driven the cost of a single cartoon to about $13,000. The Studio was barely breaking even and in 1932 another innovation drove costs Symphony still called higher. In that year, Flowers and Trees. sensation in the industry. It was Disney released a Silly This cartoon caused a in full color. Technicolor had introduced a two-color system as early as had been used sparingly by the major studios which, it had little more than novelty value (its chief limitation was that the color values were somewhat distorted).