By Nick Montfort, Ian Bogost
The Atari Video machine method ruled the house videogame industry so thoroughly that "Atari" grew to become the prevalent time period for a videogame console. The Atari VCS used to be reasonable and provided the flexibleness of changeable cartridges. approximately one thousand of those have been created, the main major of which proven new strategies, mechanics, or even whole genres. This booklet deals a close and available learn of this influential videogame console from either computational and cultural perspectives.
Studies of electronic media have infrequently investigated platforms—the platforms underlying computing. This booklet (the first in a chain of Platform reports) does so, constructing a severe procedure that examines the connection among structures and artistic expression. Nick Montfort and Ian Bogost talk about the Atari VCS itself and consider intimately six video game cartridges: wrestle, experience, Pac-Man, Yars' Revenge, Pitfall!, and megastar Wars: The Empire moves again. They describe the technical constraints and affordances of the procedure and music advancements in programming, gameplay, interface, and aesthetics. event, for instance, was once the 1st video game to symbolize a digital area greater than the reveal (anticipating the boundless digital areas of such later video games as international of Warcraft and Grand robbery Auto), by way of permitting the participant to stroll off one facet into one other house; and big name Wars: The Empire moves again used to be an early example of interplay among media homes and video games.
Montfort and Bogost express that the Atari VCS—often thought of only a unfashionable fetish object—is an important a part of the heritage of games.
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Extra info for Racing the Beam: The Atari Video Computer System (Platform Studies)
Example text
As Kevin Lynch argues, all urban citizens are in need of environmental stability: “The city environment is itself changing rapidly . . ”7 It doesn’t seem farfetched to believe that environmental presence in virtual space might act as one source of psychologically stabilizing spatial organization. Virtual worlds that nurture environmental presence offer more than just escapist pleasure or action-based thrills. They give us a way to make sense of ourselves. As de Certeau observes, our experiences of places draw from and feed back into our own personal narratives.
Because the argument contains an equivocation, it isn’t deductively valid, and we aren’t entitled to the conclusion even if (and even though) the premises are true. And, in fact, our conclusion isn’t just unsupported: it’s plainly false! In November of 1998, Nintendo Power published an interview with Shigeru Miyamoto in which he identified Ocarina of Time as the earliest story in the Zelda timeline. Of course, several Zelda games have been produced since this interview, and it might be outdated information, but it’s sufficient to establish that our conclusion above (that the original The Legend of Zelda is the first adventure) is false.
Unfortunately, both videogames and existentialism have suffered from a bad reputation. Both are often viewed negatively by the uninformed, considered to be realms in which disaffected teenagers escape reality in order to celebrate their apathy with conviction.