Longman Grammar of Spoken and Written English by Geoffrey Leech, Douglas Biber, Stig Johansson, Susan Conrad,

By Geoffrey Leech, Douglas Biber, Stig Johansson, Susan Conrad, Edward Finegan

The Longman Grammar of Spoken and Written English is a progressive, corpus-based reference grammar of English, in response to a groundbreaking learn undertaking to research the methods during which English grammar is basically used. The e-book appears at 4 textual content kinds conversation, fiction, information reportage, and educational prose and experiences statistical findings in addition to reading the explanations that a specific grammatical selection.

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Example text

A2: Right, and when you say shaved a little bit B2: Yeah yo- - you sort of just - got your thing and zazoom! A3: Yeah but - is it that shorf really? B3: Yeah to-, yeah and I A4: you want a number four? B4: Yeah I think so. A5: So yeah, I was well pleased, cos you remember the time before I said I wasn't petfect. B5: A6: That's right yeah -yeah - I mean I'm being honest. B6: Yeah - mm. A7: But I was well pleased with this one. B7: Yeah. A8: I was - I thought it looked good - and I thought, I was quite confident that it would stay in very well, you know?

C o ~ t) Cheers man. g. hm, uhhuh, ugh, yeah). Inserts are more marginal than lexical words and function words. It can indeed be debated whether some of the forms in our conversation passage should be recognized as words at all. But there is no doubt that they play an important role in communication. If we are to describe spoken language adequately, we need to pay more attention to them than has traditionally been done (see Chapter 14). Traditionally, interjections are the only type of insert that has been described in most grammars.

4). g. promise occurs a high proportion of the time with a simple transitive pattern, while tell occurs most of the time with a ditransitive pattern). Associations of this type are reported through percentages. For example, about 55 percent of the tokens of promise analyzed in fiction take a monotransitive pattern, while about 70 percent of the tokens of tell analyzed in that register take a ditransitive pattern. ) Findings reported as percentages provide no information about overall frequency.

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