By Bert Dodson
Someone who can carry a pencil can learn how to draw.
In this ebook, Bert Dodson stocks his whole drawing system;fifty-five "keys" so that you can use to render any topic with self belief, whether you're a beginner.
These keys, besides dozens of perform workouts, can help you draw like an artist in no time.
You'll find out how to:
Restore, concentration, map, and intensify
Free your hand motion, then discover ways to regulate it
Convey the illusions of sunshine, intensity, and texture
Stimulate your mind's eye via "creative play"
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Extra info for Keys to Drawing
Example text
The amount of resistance is the key in determining the value of the shading. A darker value is due to less resistance and vice versa. To alter and vary the value of the pencil shading depends entirely on the artist’s ability to press and lift at the appropriate moment. Unlike learning how to hold the pencil, this is not something that can be quickly taught, but it must be practiced over time. I hope this helps to clarify what I said earlier about the personal and intimate experience of sketching.
We observe and examine with our eyes; simplify with our brain and eyes; reason with our brain about what should be kept; record with our hand; evaluate with our eyes again to see if the image looks at all like the one we saw earlier; make instant changes and reevaluate everything again in a perpetual cycle. This is the sketching process in a nutshell. And just as sketching is undoubtedly a mental process that is very personal and intimate, so too is the act of applying pressure to the pencil a personal and intimate experience.
For example, using the Position B grip, when the thumb is the only finger that exerts the force, the third finger becomes the receiving side and must offer some form of resistance. This knowledge can be taught and learned. The amount of resistance is the key in determining the value of the shading. A darker value is due to less resistance and vice versa. To alter and vary the value of the pencil shading depends entirely on the artist’s ability to press and lift at the appropriate moment. Unlike learning how to hold the pencil, this is not something that can be quickly taught, but it must be practiced over time.