By Helen Birch
A superbly illustrated, easy-to-navigate consultant to making modern watercolors, pairing full-page work with insights and counsel for artists.
Featuring 2 hundred of the simplest works of younger, glossy watercolor painters, paired with bite-sized portray tips and artwork instruction, Just upload Watercolor gives aspiring artists entry to info about--and examples of--top paintings within the medium. Artist and teacher Helen Birch breaks down each one portray by way of thoughts, material, and instruments, delivering paintings fans and painters with a one-stop source and gallery of the easiest that glossy watercolor has to provide. Its small trim measurement with one portray according to unfold presents a daring, yet trouble-free replacement to standard, process-heavy portray guide texts. Just upload Watercolor shines the highlight on featured work, whereas nonetheless giving readers all of the insights had to start portray during this renowned medium.
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Extra info for Just Add Watercolor: Inspiration and Painting Techniques from Contemporary Artists
Example text
Yellow Caran d'Ache wax-oil crayon has been used to highlight the spaces between the black stripes. ArPROAC H ES TO ABSTRACT DES I G'\J I 51 Experiments in Texture Mixed-media paintings often contain textured materials. Cheesecloth, netting, tissue paper, canvas, string , corrugated cardboard, rice paper, lace, paper doilies, screen netting, paper towels, coffee-cup holders, handmade papers of many kinds, and crumpled newspaper all work well in layered paintings. Some artists attach small objects such as keys, beads, nails, springs, Scrabble letters, jigsaw puzzle pieces, buttons, metal tags, badges, leaves, twigs, seeds, pasta, paper clips, dice, typewriter keys, watch parts, plastic discs, bottle caps, and rivets to their work.
Despite their simplicity, the variety of sizes and treatments makes the paintings interesting. A p PROAC H ES TO ABSTRACT DES I GN I 43 , . , --' ·1 •• • .. Windborne, An n Baldwin, 12" x 12 " (305 x 305 em), ink, digital photograph, acrylic on canvas. Private co llect ion . 44 I CREA TIVE PA I NT WORKSHOP Many of the shapes in this painting are repeated to create rhythm and pattern. The circles, leaves, reeds, and obviously the thistle are organic shapes. These are in contrast to the geometric shapes of the rectangles.
Modeling paste, oi l pastel, ac rylic on ca nvas. The organic character of the final painting relies on the texture. Oil pastels were used to may,e the rings, which wind their way through the painting, creating a visual pathway through the rough terrain. 4S I CREA TIVE PA I N T WORKSHOP Q textured base. Q rough layer of light modeling paste Judging Composition in Abstract Painting MAKING EVERY PART OF YOUR PAINTING WORTH LOOKING AT Composition in abstract painting can be tricky if the shape is in the wrong place.