By Kathryn McKelvey, Janine Munslow
In transparent and easy-to-follow steps, this powerful textbook units out every thing that scholars want to know to supply powerfuble and visually interesting illustrations. it really is appropriate either for sophistication use and self-teaching, and indicates easy methods to create energetic type illustrations of guys, ladies and youngsters. Examples of the media on hand and diversified drawing options are awarded in a student-friendly shape, with distinct reasons of ways to symbolize materials, create and use templates and stencils, and make specification and dealing drawings. The presentation during this new version has been up to date all through, utilizing smooth software program suggestions, the source drawings now have a extra modern glance, and colored illustrations are integrated for the 1st time.
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Additional resources for Illustrating Fashion (2nd Edition)
Example text
Figures that are overly exaggerated tend to have extra length in the legs. Occasionally different body areas are exaggerated or reduced in order to promote current trends. Neo-Classical fashion plates, for example show hands and feet proportionately smaller than is realistic. In contrast, illustrations from the late 1980s show over-exaggerated feet. The waist, in the adult figure, is generally positioned at approximately 2 ½ heads and can vary due to fashion trends. Refer to Figures A, B and C.
Negative space - draw the silhouette only, look around the subject. Draw from many perspectives foreshorten. Draw from below and look up, draw from above and look down. Draw without using an eraser. Direct observation - trace the line of the subject by looking at it and not the paper. Deliberately use line thickness to indicate distance or perspective. Draw with the non-preferred hand. Draw without taking the media off the page. Analyse and draw ‘apparent’ shapes only. Draw using geometric shapes only.
In most relaxed standing positions the head remains above the foot which is supporting the weight. e. drawing lines fast and slow - sensitivity. g. joy, fear, excitement, anger. Large scale - draw life size and even larger! Small scale - draw two inches high and smaller! Self portrait, set a time limit of half an hour. g. ink, pastels, coloured pencils. Line drawing - use line only. Tone only - don’t use line. Negative space - draw the silhouette only, look around the subject. Draw from many perspectives foreshorten.