Femme Fatale: Images of Evil and Fascinating Women by Patrick Bade

By Patrick Bade

Pictures of femmes fatales in fin de siecle paintings.

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5 x 92 cm Wildenstein Collection, New York 42 43 above all, years of rapturous absorption of the unrestrained romanticism of Victor Hugo, Alfred de Musset, and Charles Baudelaire, years of youthful dreaming, together with Émile Zola, of the lofty calling of the artist and of their future collaboration in the field of art. Trench at the Foot of Mont Sainte-Victoire 1870-1871 Oil on canvas, 80 x 129 cm Neue Staatsgalerie, Munich 44 45 In his first year in Paris, Cézanne evidently still had a certain respect for the acknowledged masters and was willing to join them.

2 x 46 cm Hermitage, St. Petersburg 56 He was in no hurry to follow the Impressionists out of the museum halls and the studio’s atmosphere of concentration in order to paint in the open air. He was immersed in an imaginary fantasy world, consumed by the desire to express an irresistible flood of human passion. Portrait of the Artist 1873-1876 Oil on canvas, 53 x 64 cm Musée d’Orsay, Paris 58 Then, as before, he was attracted, above all, by the art of strong emotions. For an artist with Cézanne’s keen sense of the dramatic complexity of the world, a simple representation of the visible was insufficient.

5 x 92 cm Wildenstein Collection, New York 42 43 above all, years of rapturous absorption of the unrestrained romanticism of Victor Hugo, Alfred de Musset, and Charles Baudelaire, years of youthful dreaming, together with Émile Zola, of the lofty calling of the artist and of their future collaboration in the field of art. Trench at the Foot of Mont Sainte-Victoire 1870-1871 Oil on canvas, 80 x 129 cm Neue Staatsgalerie, Munich 44 45 In his first year in Paris, Cézanne evidently still had a certain respect for the acknowledged masters and was willing to join them.

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