By Burne Hogarth
Realizing how the physique strikes is the most important to rendering garments, as world-renowned artist Hogarth demonstrates during this specified ebook.
Read Online or Download Dynamic Wrinkles and Drapery: Solutions for Drawing the Clothed Figure (Dynamic Drawing Series) PDF
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Additional resources for Dynamic Wrinkles and Drapery: Solutions for Drawing the Clothed Figure (Dynamic Drawing Series)
Example text
Add some quick strokes to begin the mane. Add some medium gray tones to the face to create the facial contours. Step 5 With the tortillion, blend the tones out until smooth. Blend the mane also. The vein running down the face, below the eye, is a very important feature. Keep it light there. Don’t let it fill in. 50 DRAW HORSES Step 6 Finish the drawing by lifting out all of the reflected light areas. Place the tone behind the horse’s face to make the light edges stand out. This will make the cheek and jaw area resemble a sphere exercise.
Blend the facial tones with a dirty tortillion for softness. I will show you how to draw the forelock in a later chapter. DRAWING FACIAL FEATURES 31 PAIRS OF EYES It is very important to not only know how to draw eyes, but to know how to draw two eyes together. Both eyes must appear to be looking in the same direction, and be of the same size and shape. The turn of the head, or a change of direction will alter the way the eyes appear. The eyes of a horse are very far apart, resting on the outside of the head.
Darken inside the eye. Do not cover up the highlighted area. ”) The eye is darker in the center where the pupil is. The pupil is just not as noticeable or defined as in a human eye. You need some variation in the tones here. These areas are not as dark as the eyeball area. Continue adding tone around the eye, paying attention to the creases and shadows. STEP 4 With your tortillion, begin blending the tones to soften them. Blend the eyeball, and add more graphite to deepen the tones. This is what will make the eye look shiny.