By Jessica Peffer
Как рисовать фантастические и невероятные существа Издание иллюстрировано цветными эскизами с подробными объяснениями процесса, которые шаг за шагом помогут вам научиться рисовать, таких персонажей как: гномы, эльфы, тролли, орки, огры, гоблины, гарпии, оборотни, зомби и многих других!
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In 1335, the Chapel of St. Gregory passed into the hands of the Bardi of Vernio, who redecorated it and no doubt provided it with an altarpiece of their own choosing. Consequently, the Madonna of the Confraternity of St. Mary Virgin was moved from the chapel. But as its members continued to meet in the right transept, the picture was placed near its old position on the wall outside the Bardi Chapel, where Vasari saw it. It was subsequently removed into the Rucellai Chapel, and came to be known as the Rucellai Madonna.
The story says that his emulative fancy was excited early by the beautiful antique sarcophagus on which the Barna da Siena, The Mystic Marriage of Saint Catherine, 1340-1350. 9 x 111 cm. Museum of Fine Arts, Boston.
It is engraved in Rosini’s Storia della Pittura, on the same page with a Madonna by Cimabue, to which it appears superior in drawing, attitude, expression, and drapery. Pisa produced Giunta da Pisa around the same time, of whom there remain works with the date 1236, one of these is a Crucifixion, engraved in Ottley’s Italian School of Design, and on a smaller scale in Rosini’s Storia della Pittura, in which the expression of grief in the hovering angels, who are wringing their hands and weeping, is very emotive and striking.