By Peter Stanyer
Entire ebook of Drawing options via Peter Stanyer. Paperback.
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Additional resources for Complete Book of Drawing Techniques
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Step 1/ Take the paper you are going to draw on and make a diagonal line from one corner to the other. Step 2/ Decide how big you want your window aperture to be. 3cOgth up the side of your paper from where the diagonal line departs. point draw a straight line into the paper until it meets the diagonal line. point where the line meets the diagonal line, draw a straight line to the bottom edge of the paper. You now have an accurate scaled proportion of your piece of paper. Step 5/ Take the mea 0 0ments of this proportion and draw them into the centre of a piece of card, then cut out the window for the viewing of your composition.
If you do this draw a corresponding grid 28 Vectors of analysis/The window mount C3BF5B70-8CC4-4870-976C-617F626F3B6F on your paper. Put the window up to the world and choose your composition. Now you will find it very easy to transpose what you see through the window on to your paper. 29 Pencil projects Project One DOODLES – FIRST THOUGHTS AND IDEAS DOODLES Doodles should not be thought of as drawings without meaning or drawings that have no importance or significance. In fact, they do, as many artists find other peoples’ doodles fascinating.
These are the basic components that hold a drawing together and the dynamics that a composition needs to express an idea. The interrelationships between them are key to the making of a successful drawing. In the sketches that follow we will be playing with these interrelationships. The basic shapes you will encounter in most drawing compositions. Triangle. C3BF5B70-8CC4-4870-976C-617F626F3B6F Square. 36 Oblong. Pencil projects PRACTISING SHAPE INTO FORM Now practise turning shapes into the illusion of form, so the circle becomes a sphere, the triangle a cone, and the oblong a cylinder.