By Annie Merrill Ingram, Ian Marshall, Daniel J. Philippon, Adam W. Sweeting
The essays additionally positioned ecocriticism into larger touch with the common sciences, together with parts of evolutionary biology, organic taxonomy, and geology. enticing either ecocritical conception and perform, those authors extra heavily align ecocriticism with the actual setting, with the wide variety of texts and cultural practices that main issue it, and with the turning out to be scholarly dialog that surrounds this concern.
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Extra info for Coming into Contact: Explorations in Ecocritical Theory and Practice
Sample text
Although the internees did not seek out the environments of which they wrote, their haiku convey a mindfulness to details of the places in which they found themselves as well as poignant recollections of the places they had left behind. On February 19, 1942, just over two months after the bombing of Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066, allowing for the designation of “military areas . . from which any or all persons may be excluded” (“Executive Order 9066,” reprinted in Girdner and Loftis 521).
0p —— Norm PgEn [25], 26 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 anthony lioi Because we know ourselves to be made from this earth. See this grass. The patches of silvers and brown. Worn by the wind. The grass reflecting all that lives in the soil. The light. The grass needing the soil. With roots deep in the earth. And patches of silver. Like the patches of silver in our hair. Worn by time. This bird flying low over the grass. Over the tules.
In The Greening of Literary Scholarship, ed. Steven Rosendale. Iowa City: University of Iowa Press, 2002. 181–206. , and Karla Armbruster. ” In Beyond Nature Writing: Expanding the Boundaries of Ecocriticism, ed. Karla Armbruster and Kathleen R. Wallace. Charlottesville: University of Virginia Press, 2001. 1–25. [38], Line —— * 155 —— Norm * PgEn [38], 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 angela waldie Challenging the Confines Haiku from the Prison Camps On a small scrap of paper lying on a plywood table in a cramped room that was once a horse stable, in a form restricted to seventeen syllables— as unyielding as the barbed wire fence that traps the cold night—with a pen that is almost out of ink, imagine writing freedom.