Basic Rendering: effective drawing for designers, artists by Robert W. Gill

By Robert W. Gill

Руководство содержит вопорсы корректного оптического построения композиции, элементов светотени, контраста, рефлекса, поглащения и т.п. Приведены примеры рисования некоторых типичных поверхностных материалов .

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Doing a Simple If you've diligently practiced the preceding exercises, Still Life you should now be ready a more detailed finished drawing of the same subject. This drauing was done on a textured paper surface with a General charcoal 4B and a Wolff BB carbon pencil. Tones were blended with a paper stump. Beneath the drawing I've demonstrated how various pencils can be smudged or blended with the paper stump. The first group includes different grades of graphite pencils; the middle group illustrates various grades of charcoal pencils; and the last group shows different wax pencils.

With the face pretty well completed, I now worked the hair. Working with a 6B grade graphite more on pencil, I drew in more strokes, following the direction of up these tones and added shadow the hair. I slowly built areas throughout, with the deepest tones last. This is an excellent sketch technique and can be used on various done here has been accomplished through drawn pencil strokes rather than rubbing or blending with a stump. The most important stage of this drawing was the diagrammatic sketch done at the beginning, when the proportions and sizes were determined.

Also, keep in mind that charcoal and chalk You can avoid smudging by placing a hand while drawing On this drawing, I carefully removed the charcoal dust that had accumulated before spraying it with fixative This dust was removed from the white areas of the drawing with a lines smudge easily. piece of tracing paper under your kneaded rubber eraser. Although it is almost invisible, the dust becomes quite noticeable when sprayed with fixative 1*3 4 SIMPLIFYING TONES A great deal can be learned about drawing and seeing by separating a scene into two or three values.

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