By Douglas Florian
The thrill is gigantic for Douglas Florian’s new poetry assortment in regards to the unBEElieveably certain lives of honeybees—and the very important function they play in our ecosystem.[/b]
Come contained in the honeycomb—a busy, buzzy, bee-filled home—and find out about the unforeseen wonders of those tiny insects’ life, households, and groups. In fourteen humorous, fact-filled honeybee poems and work, Douglas Florian explores the typical historical past of those often-unappreciated critters, revealing them to be a unconditionally cool—and absolutely important—part of our surroundings. certainly, those buzzy insects were within the highlight in recent years as wild bee populations are dwindling, honey costs are emerging, and beekeeping has develop into a favored pastime.
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Extra info for UnBEElievables: Honeybee Poems and Paintings
Sample text
Much of the sculpture of the second generation shares this attraction to abstract or emotive subject matter which evinces connections between Expressionism and other international styles. In his 19 19 sculpture Dreiklang (Triad; Fig. 41), for instance, Rudolf Belling relies on Cubist principles of the breakup of space and the importance of voids. In 1919 Herbert Garbe created change in society. They found that the working than supporting their efforts and joining with them, had in fact nothing but scorn for them.
170. 24 Eberhard Roters, Berlin 1910-193} (New York: Rizzoli, 1982], p. 109. , German Expressionist Sculpture (Los Angeles County Museum of Art, Los Angeles, 1983), p. 100. 26 Conrad Felixmiiller, as cited in Whitford, Expressionist Portraits, p. 138. Fig. I Ludwig Meidner, Apokalypiischc Landschaft (Apocalyptic Landscape), 1913 (Cat. 140 Ebeihard Roters Prewar, Wartime, and Postwar: Expressionism in Berlin from 19 12 to the Early 1920s The history of art constantly turns out to be a much more comphcated matter than the written accounts of it would have us believe, however intelligent and thorough those accounts may be.
But that was also the year in which Karl Schmidt-Rottluff, one of the founders of Die Biiicke (The Bridge), was bom; and Ernst Ludwig Kirchner was only four years older. All these artists came from central and eastern idly built, "German-looking," melancholic? that links their modes distinguishes this, in of artistic expression, its turn, Der Blaue Reitei (The Blue from that Rider) first is their some recognition strips of lead in stained glass. In a fore rightly regard them work. Art historians there- as the inventors of the expres- which are picked out in blue, red, purple, yellow, ing stylistic priorities.