By William Shakespeare, Sir Arthur Quiller-Couch (editor), John Dover Wilson (editor)
John Dover Wilson's New Shakespeare, released among 1921 and 1966, turned the vintage Cambridge version of Shakespeare's performs and poems until eventually the Eighties. The sequence, lengthy for the reason that out-of-print, is now reissued. each one paintings is obtainable either separately and as a collection, and every features a long and energetic advent, major textual content, and tremendous notes and word list revealed on the again. The variation, which begun with The Tempest and ended with The Sonnets, positioned into perform the suggestions and theories that had advanced below the 'New Bibliography'. Remarkably through state-of-the-art criteria, even though it took the simplest a part of part a century to supply, the hot Shakespeare concerned just a small band of editors in addition to Dover Wilson himself. because the volumes took form, lots of Dover Wilson's textual equipment received basic popularity and have become a longtime a part of later editorial perform, for instance within the Arden and New Cambridge Shakespeares.
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Extra resources for The Cambridge Dover Wilson Shakespeare, Volume 01: All’s Well that Ends Well
Example text
How long is't, count, 70 Since the physician at your father's died? He was much famed. Bertram. Some six months since, my lord. King. If he were living, I would try him yet. the rest have worn me out With several applications: nature and sickness Debate it at their leisure. Welcome, count, My son's no dearer. Bertram. Thank your majesty. ] A room in the palace of Roust lion The COUNTESS enters with RJNALDO her Stewards LAVACHB the Clown follows behind Countess. I will now hear. What say you of this gentlewoman?
This young gentlewoman had a father— O, that 'had,' how sad a passage 'tis—whose skill was almost as great as his honesty; had it stretched so far, 20 would have made nature immortal, and death should have play for lack of work. Would, for the king's sake, he were living. I think it would be the death of the king's disease. 25 Lafett. How called you the man you speak of, madam ? Countess. He was famous, sir, in his profession, and it was his great right to be so: Gerard de Narbon. Lafeu. He was excellent, indeed, madam.
Whom sometime I have laughed with... She's impudent, my lord, And was a common gamester to the camp— our only condonation for such business being that the original Beltramo was no such fellow, and this Bertram is just such a stage puppet as Shakespeare inartistically makes him. INTRODUCTION xxix IX Still, the real moral difficulty of this play (which so vexes critics that one of the sanest has to confess, 'There are other works of Shakespeare which are more painful; there are none less pleasing, none on which one cares less to dwell') does not reside in the character of Bertram; and much less, of course, is it chargeable upon Helena.