Sehnsucht The Book of Architectural Longings: Deutscher by Dr. Peter Ramsauer (auth.), Cordula Rau, Eberhard Tröger,

By Dr. Peter Ramsauer (auth.), Cordula Rau, Eberhard Tröger, Ole W. Fischer (eds.)

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Additional info for Sehnsucht The Book of Architectural Longings: Deutscher Beitrag auf der 12. Internationalen Architekturausstellung/German Contribution to the 12th International Architecture Exhibition La Biennale di Venezia 2010

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Reale Orte, w ie auch reale Prasenz, Schutzbehausungen usw. wird es immer geb en, ab er deren mitschwingende symboli sch e Bedeutung konnte verloren gegangen sein. Ais herausragendes Beispiel hierfiir la sst sich die Filmtrilogie Heimat von Edga r Reitz nennen, in sbe sonder e der er ste 1984 entst andene Teil des 15-Stunden-Opus m it dem Titel Heimat - Eine deuts che Chro nik . Kein Begr iff ist so typ isch deutsch und vielleicht soga r so tr effend fiir di e Architektur wie He irnar ". Gemeint ist ein symbo lhaftes Zuhau se im engeren wie im weiteren Sinne, und damit ist der Begr iff ga nz klar in der Me ta physik ver w urzelt.

Will a lways exis t, but its sy mbolic re so na nce may have bee n lost. No be tter exa mple of t his ca n be cite d th an Edga r Reit z's film triology He imat, es pec ially t he first fift ee n-h our seg me nt, Hei mat A Chronicle of Germany, ma de in 1984. Th er e is no conce pt more Germ an , a nd pe rhap s even a rc hitect ura l, th an Heimat. It liter al ly mean s a sy mbo lic hom e o r hom e lan d, a nd th us is clearly rooted in meta physics . Re itz's film t races t he life of an or d ina ry, wo rking-c lass Ger man fam ily fro m th e end of t he disaster of t he 1914 -1 8 wa r to t he sy mbol ic d is a st er of the Ge rman economic recovery of the 1970s a nd '80s.

Wir fiigen dem eine neue Schicht hinzu und geben dem Gebaude eine neue ternporare Identitat. Dabei arbeiten wir mit dem Bau und nicht gegen ihn. Wir versuchen nicht, seine Vergangenheit zu vertuschen. Ziel fur uns ist primar, das Pavillongebaude wahrend der Architekturbiennale nicht einfach fur eine Ausstellung zu nutzen, sondern den deutschen Pavillon selbst zu einem Ort in den Giardini, den Garten Venedigs werden zu lassen. Wir wollen einen Ort schaffen, durch den man nicht einfach nur hindurchgeht, sondern der zum Verweilen, Reflektieren und Diskutieren einladt und so den personlichen Austausch iiber Sehnsiichte fordert.

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