By Fred S. Kleiner
As interesting as a true stopover at to the world's recognized museums and architectural websites, GARDNER'S paintings in the course of the a while: THE WESTERN viewpoint can provide a finished, fantastically illustrated journey of the world's nice creative traditions--plus the entire learn instruments you must excel on your paintings background path! effortless to learn and comprehend, this thirteenth variation of the main extensively learn background of paintings ebook within the English language is the single textbook that features a targeted "scale" function (accompanying the book's pictures of work and different works of art) that can assist you greater visualize the particular measurement of the artistic endeavors proven within the publication. 3 degrees of overview together with prolonged picture captions, "The sizeable Picture" overviews on the finish of each bankruptcy, and a distinct international timeline may help you learn in your assessments. You'll additionally locate fabrics that can assist you grasp the most important subject matters fast within the ArtStudy on-line (a unfastened interactive learn consultant that comes with flash playing cards of pictures and quizzes).
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Additional resources for Gardner's Art Through the Ages: The Western Perspective (13th Edition)
Sample text
A special feature of the Newgrange tomb is that at the winter solstice the sun illuminates the passageway and the burial chamber. HAGAR QIM Contemporary with Newgrange but on an island far to the south is the megalithic temple (FIG. 1-1) of Hagar Qim, one of many constructed on Malta between 3200 and 2500 BCE and one of the oldest stone temples anywhere in the world. The Maltese builders constructed their temples by piling carefully cut stone blocks in courses (stacked horizontal rows). The doorways at Hagar Qim were built using the post-and-lintel system (FIG.
LAUSSEL Because precision in dating is impossible for the Paleolithic era, art historians usually can be no more specific than assigning a range of several thousand years to each artifact. But probably later in date than the Venus of Willendorf is a female figure (FIG. 1-6) from Laussel in France. The Willendorf and Hohlenstein-Stadel figures were sculpted in the round (that is, they are freestanding sculptures). The Laussel woman is one of the earliest relief sculptures known. The sculptor employed a stone chisel to cut into the relatively flat surface of a large rock and create an image that projects from its background.
Like every artist in every age in every medium, the painter of the Apollo 11 plaque had to answer two questions before beginning work: What shall be my subject? How shall I represent it? In Paleolithic art, the almost universal answer to the first question was an animal—bison, mammoth, ibex, and horse were most common. In fact, Paleolithic painters and sculptors depicted humans infrequently and men almost never. In equally stark contrast to today’s world, there was also agreement on the best answer to the second question.