By 50 minutes, Éliane Reynold de Seresin
[b]Décryptez l’art d’Auguste Renoir en moins d’une heure !
C’est en 1841, dans un monde synonyme de renouveau, que naît Pierre-Auguste Renoir. Reflet de l’effervescence de son temps, son œuvre met à mal l’académisme jusqu’alors prégnant. Adepte de l. a. peinture « sur le motif » chère aux impressionnistes et virtuose de l. a. couleur, Renoir en fait l’élément imperative de ses compositions. Mettant en scène un quotidien joyeux, il fait los angeles half belle aux nouveaux loisirs qui se développent à cette époque, notamment aux abords de los angeles Seine.[b]
Ce livre vous permettra d’en savoir plus sur : - Le contexte socio-culturel dans lequel Auguste Renoir s’inscrit
- los angeles vie du peintre et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Renoir
- L’impact de l’artiste dans l’histoire de l’art[b]
Le mot de l’éditeur :« Dans ce numéro de los angeles série "50MINUTES | Artistes", Eliane Reynold de Seresin passe en revue les moments-clés de los angeles carrière de Renoir, tout en retraçant l’histoire du mouvement dont il est l’un des principaux représentants : l’impressionnisme. Analysant quelques-unes de ses œuvres les plus emblématiques, par exemple Bal au Moulin de l. a. Galette ou encore Le Déjeuner des canotiers, Eliane Reynold de Seresin dresse un landscape complet de l’art de Renoir, sans oublier de parler de son évolution au fil du temps. »
Stéphanie Felten[b]
À PROPOS DE los angeles SÉRIE 50MINUTES | ArtistesLa série « Artistes » de los angeles assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à l. a. fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.[b]
Read Online or Download Auguste Renoir, le peintre du bonheur: Aux sources de l'impressionnisme (Artistes, numéro 8) PDF
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Additional resources for Auguste Renoir, le peintre du bonheur: Aux sources de l'impressionnisme (Artistes, numéro 8)
Example text
Talking through drawing—has evolved. The translation of perception into a graphic form has created an expansive vocabulary for the artist. “When working, I am interested in the capacity of “The journals are not areas abstract mark-making to communicate,” says Storey. “To liberate where ideas are developed some kind of raw and primal response, I put myself through emotional experiences, deliberately trying to get into the moment. Extremity produces a lens in which we can see things that we can’t otherwise.
The artist prefers to work in a series and will often tackle several pieces at once, alleviating any downtime during drying sessions. His process, always working from panel to panel, has established a mindset that encourages work in succession. Much of Mew’s art is quite large. He finds working on a grand scale to be both a challenge and a blessing. “It is hard to go from working 11" × 14" (28cm × 36cm) to 4' × 5' (122cm × 152cm). It takes a lot more time and effort. Plus, your body movement, your tools and how you approach the work are all very different.
To get a create a new vitality in painting. Artists who have ventured out- variety of different effects, artists are experimenting with alter- side the constraints of traditional approaches have found more ing the printing base, changing the mediums or pretreating inventive ways of handling space, structure, form and content. the working surface before printing on it. To add decorative Their eagerness to push boundaries has opened up a plethora of accents, custom stamping, woodblock and linoleum printing, new possibilities in picture-making.